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This is an image of two books, one is laying flat on the ground with an angled view of the cover and spine. The other book is sitting upright on top of the book laying down. On the cover is a simple black and white illustration of a potbelly vase with a geometric floral design. The illustration has the texture of being printed as a woodcut. The title on the spine reads "Elisabeth Kley"

The image depicts a spread of a book. The book is open to a full-bleed two-page spread of a painterly drawing of bright flowers. There is a yellow background, and the flowers are outlined in blue and filled in with red, white, and orange.

The image depicts a spread of a book. The book is open to a full-bleed two-page spread of a painterly drawing of bright flowers. There is a bright blue background, and the flowers are outlined in dark blue and filled in with green, white, light blue, and orange.

An image of a spread of a book with two photos. There is one photo on each page. Each photo is of one round, potbelly vase with a short, narrow stem. The vases are made of ceramic and the glazed design depicts geometric floral patterns. The vase on the left is green, blue, white, black, and orange. The vase on the right is blue, yellow, white, black, and orange.

An image of a book spread featuring four photos of black and white painted totem-like pedestals decorated with different geometric patterns on each side. There are two images on each page.

Pre-Echo Press and Canada Gallery

Elisabeth Kley

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Description

Explore the artwork of Elisabeth Kley with this fully illustrated monograph. Featuring over 100 plates along with reference images, discover her works illuminating the joy that comes from looking.

Published by Pre-Echo Press and Canada Gallery, 2019.
Hardcover, 130 pages / color.

Includes essays by Paul P. and Edward Leffingwell

ISBN 9780960078912

Meet the Artist

A photograph of a middle-aged woman at the center standing behind a long table, turned at an angle. Her hair is dark and short and she is wearing black rimmed glasses with a loose green blouse over a black t-shirt. On the table is a very bright and colorful design with bars of orange-red interrupted by large yellow fans and buds, outlined in blue.

Elisabeth Kley

Known for her distinctive black-and-white ceramic objects, Elisabeth Kley’s work stands at the nexus of pattern, decoration, and play. In Kley's first solo museum show, Minutes of Sand, her textile works intermingle with her signature black-and-white ceramics to create a space uniquely hers, defined by bold colors, strong lines, and distinctive forms.

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