Books


MW Editions and The Fabric Workshop and Museum
Suzanne Bocanegra: Poorly Watched Girls
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
The Phoenix Art Museum and the Portland Museum of Art
Ahmed Alsoudani: Redacted

MW Editions and The Fabric Workshop and Museum
Sonya Clark: Monumental Cloth, The Flag We Should Know
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
Pre-Echo Press and Canada Gallery
Elisabeth Kley

Hirmer Publishers and The Fabric Workshop and Museum
Ally: Janine Antoni, Anna Halprin, Stephen Petronio
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
The Fabric Workshop and Museum and The Bemis Center for Contemporary Arts
Elisabeth Kley: Minutes of Sand
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
A.S.A.P.
John Currin: The Dogwood Thieves

The Fabric Workshop and Museum and MIT Press
New Material as New Media: The Fabric Workshop and Museum
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

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
Materialist Press
Rachel Blau DuPlessis: Life in Handkerchiefs
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