Mother's Day Sale! Save 30% with code MOM30. Exceptions apply.

Mother's Day Sale! Save 30% with code MOM30. Exceptions apply.

Mother's Day Sale! Save 30% with code MOM30. Exceptions apply.

Mother's Day Sale! Save 30% with code MOM30. Exceptions apply.

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A photograph of a magenta book with a yellow spine stacked on two other books of the same size but in a light blue and green. The book reads "New Material as New Media: The Fabric Workshop and Museum."A photograph of a stack of three slightly offset books of the same size but with different color spines (green, gray, and yellow). The top book with a yellow spine is magenta on its cover. The book reads "New Material as New Media: The Fabric Workshop and Museum."A photo of a book spread with a full-bleed photograph of artwork by Mel Chin on each page. On the left is a mostly blue picture of a corner of a room with a triangular grid of clouds above. On the right is a mostly green corner of a room with a wave-like texture on the triangular-shaped ceiling above. The edges of the wall and ceiling glow a bright green.A photo of a book spread with a full-bleed photograph of an artwork by Jim Hodges extending from the left page and over half of the right page. It depicts a sheet-like cascade of tiny colorful flowers and leaves.A photo of a book spread with a full-bleed photograph of two labyrinthian designs by the Maisin Artists of Papua New Guinea on each page. The one on the left features a yellow design over a hot pink ground; on the right is a yellow design over a cerulean blue ground.

The Fabric Workshop and Museum and MIT Press

New Material as New Media: The Fabric Workshop and Museum

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Description

Our landmark publication, “New Material as New Media” has turned twenty years old. This gorgeous catalogue spans our first 25 years of collaborations and features significant projects created with Marina Abramović, Louise Bourgeois, Felix Gonzales-Torres, Ann Hamilton, Glenn Ligon, Roy Lichtenstein, Faith Ringgold, Carrie Mae Weems and many other renowned contemporary artists.

Perfect for your coffee table, this hardcover tome is bound in multiple color variations with the edges of its 320 pages gilded in silver leaf.

Published 2002 by The Fabric Workshop and Museum / MIT Press
13.25 x 11 inches
Hardcover, 320 pages
Editor: Kelly Mitchell
Author: Marion Boulton Stroud
Designer: Takaaki Matsumoto

ISBN: 0-9619760-9-8

The catalogue was designed as a three-dimensional object. Every surface was treated to transform it from an everyday book into an object. Instead of reproducing an artwork on the cover, a lustrous bookbinding cloth that was available in vibrant colors was used. The front cover, back cover, and spine were each wrapped in a different colored cloth. Three different covers were designed, so nine colors were used. To use three different fabrics per book, a special binding was devised. The spine, front cover, and back cover were all wrapped separately then assembled. The only place type appears is on the spine. For the trade edition, a clear acetate jacket was designed; the front of the jacket was printed with silver type so the reader can see the colors of the cover through it. Before the book was bound, the edges of the pages were gilded in silver leaf.

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A photograph of the FWM Print Studio with an Educator (at left) instructing a High School Apprentice (at right). They are standing over a table and the educator is holding and pinning a folded piece of green fabric which extends across the table.

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