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Exhibition Catalogues

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A thick book standing upright, its pages slightly spreading. The cover features an out-of-focus portrait of a person in blue light with red lipstick. The title at the top reads in serif font, "Suzanne Bocanegra: Poorly Watched Girls."

A book spread showing on the left page an older white woman in a minimally designed long-sleeve white dress smiling at the viewer. She appears lit as if on a stage with her shadow behind her. On the right is an extreme close-up with a soft focus of her smiling face at a three-quarter angle,

MW Editions and The Fabric Workshop and Museum

Suzanne Bocanegra: Poorly Watched Girls

An image of a book opened to a full bleed abstract drawing taking up both pages.

The Phoenix Art Museum and the Portland Museum of Art

Ahmed Alsoudani: Redacted

A photograph of a black hardcover book with the title "Doug Aitken A-Z Book (Fractals)" written repeatedly in a circle and echoing itself getting smaller towards the center. In the center is a black circle with "A-Z" written inside.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

The Fabric Workshop and Museum and Hatje Cantz Publishers

Doug Aitken: A-Z Book (Fractals)

A photograph of a book propped upright on top of a pair of laterally stacked copies of the same book. The cover of the book features a cream-colored woven textile with two thin red stripes that stretch from corner to corner. The text on the top-left corner reads, "Sonya Clark: Monumental Cloth, The Flag We Should Know."

Best Seller

A photograph of a book spread with a photo on the left and text on the right. The book image features two creating a white chalk rubbing of a woven texture against a black ground.

MW Editions and The Fabric Workshop and Museum

Sonya Clark: Monumental Cloth, The Flag We Should Know

This is an image of two books, one is laying flat on the ground with an angled view of the cover and spine. The other book is sitting upright on top of the book laying down. On the cover is a simple black and white illustration of a potbelly vase with a geometric floral design. The illustration has the texture of being printed as a woodcut. The title on the spine reads "Elisabeth Kley"

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The image depicts a spread of a book. The book is open to a full-bleed two-page spread of a painterly drawing of bright flowers. There is a yellow background, and the flowers are outlined in blue and filled in with red, white, and orange.

Pre-Echo Press and Canada Gallery

A photo of a softcover book with a craft paper-like cover. The title of the book is swarm by Ellen Lupton and Abbott Miller.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

A photograph of a spread of an open book. On the left there is a photograph of a big pile of green individually wrapped candies on the floor and against a white wall. Below the photo is a description of the work. On the right there is a close up photo of the individually wrapped candies densely packed and taking up the whole page.

This is an image of a book cover. On the book cover is a The image is of a red three-panel privacy screen (the left panel is cut out of the image so we only see the center and right panels) with strings of green leaves on the center and right panels and on the center panel, a figure of a woman standing as she is completely covered in blue fabric and the only part of her body you can see is her right thigh, right arm and her right hand is touching her head. We also see gold embroidered text which reads "Of Adam's eye." There is a solid black background and to the right of the privacy screen is white text that reads "Carrie Mae Weems The Fabric Workshop/Museum"

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FWM Exclusive

The image is of a two-page spread in a book and there is an image in the center. The image is of a red three-panel privacy screen with green leaves and gold embroidered text. This is an artwork by Carrie Mae Weems. The text describes the work and reads: "The Apple of Adam's Eye This work marks a point of departure for Weems in terms of her use of media which she undertook as part of her residency at The Fabric Workshop/Museum. She worked in collaboration with Mary Anne Friel, who executed the artist's design. Initially, the figure appeared in the round (seen frontally on the face of the central panel, and from behind on the reverse); in Cette œuvre marque un point de départ pour Weems en ce qui con- cerne l'utilisation de moyens explorés au cours de sa résidence au Fabric Workshop/ Museum. Elle a travaillé en collaboration avec Mary Anne Friel, qui a réalisé les dessins de l'artiste. Initialement, le personnage apparais- sait en ronde bosse (vu de devant sur la face du panneau central et de derrière au dos); dans cette version finale, le personnage au dos du panneau a été remplacé par un texte. Des versions this final version, the figure on the back has been replaced with text. Earlier versions linked images plus anciennes associaient des images de pommes et de serpent au texte placé sur le devant des pan- of an apple and snake with the text on the front side panels, but these were later discarded in favor of neaux latéraux, mais elles ont été abandonnées au profit d'un feuillage serpentin qui se déroule serpentine foliage that continues around the figure and on the reverse of the side panels. The autour du personnage et au dos des panneaux latéraux. L'image photographique monochromatique monochromatic photographic image became more sensual as it was saturated with a fiery Chinese red- est devenue plus sensuelle lorsqu'elle a été saturée d'une couleur vive rouge-orangé chinoise pour le orange colored background, the veil in royal blue, and the skin in a bronze hue. Underprinting of gold fond, de bleu royal pour le voile, et d'une teinte de bronze pour la peau. Des impressions sous-jacentes leaves, accidentally arrived at, and overpainting the red background with green and gold foliage à la feuille d'or, obtenues par hasard, et la peinture d'un feuillage vert et or sur le fond rouge offrent offered a rich, glowing resolution. The text, at first intended to be printed, was finally embroidered in un contraste riche et brillant. Le texte, qui devait d'abord être imprimé, a finalement été brodé au fil gold silk thread that added to the sumptuousness of the work. Finally, a printed-fabric covered frame de soie dorée, ajoutant au caractère somptueux de l'œuvre. Pour finir, un premier cadre recouvert de was abandoned in favor of an exposed frame of delicately patterned Australian lacewood. tissu imprimé a été remplacé par un cadre en bois de sycomore australien aux motifs délicats."

Carrie Mae Weems

Book cover titled New American Voices with bold yellow text along the left edge, featuring a snarling wildcat in the background and a surreal sculptural form with spindly wires in the foreground.

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A photograph of an open book showing two images of abstract quilts, one on each page. The quilts have colorful borders made of solid and patterned fabric. The interior of the quilt is abstract with colorful and gestural lines and illustrations.

New American Voices

A yellow book cover featuring a long tunic with a very busy hand-drawn pattern featuring orange, brown, and gray nude figures interacting with one another amid large brown leaves and a background of repeat textural marks. The book cover says "Will Stokes" in hand-written cursive.

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A detail of a person holding a yellow book that reads "Will Stokes". The book cover features the outline of a shirt with many hand-drawn figures in gray, brown, and orange.

Will Stokes, Jr. x FWM

Will Stokes Jr.

An image of a cover of a book that reads: "Cai Guo-Qiang Fallen Blossoms." The cover imagery is of paper that has burn marks.

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An image of a book spread featuring one full bleed photograph. The photo is of the Philadelphia Museum of Art, a grand building with columns on a blue-sky day. In front of the columns is an explosion in the shape of a flower (like a firework) with lots of hazy smoke around it.

Cai Guo-Qiang: Fallen Blossoms

Book cover for "Ed Ruscha: Industrial Strength" featuring a textured gray and black abstract pattern with white text. Published by The Fabric Workshop and Museum.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

A photograph of an open book showing a white and black stylized cloudy sky with overlayed white text reading "INDUSTRIAL STRENGTH SLEEP"

Ed Ruscha: Industrial Strength

A photo of a book, "Mary Reid Kelley & Patrick Kelley," featuring a kneeling female character who is holding her belly and tilting back in laughter. She has long hair and bug eyes and is rendered in warm grays with black accents. She is posed on gray floorboards against a green background.

A photo of a model posing with a book and tote. The book has a photo of a woman dressed in black and white with long black hair and she is kneeling on her knees on the floor in front of a green screen. The tote is black and white and has the phases of the moon in a grid. Below the grid, the tote reads "Blood Moon" and the "O's" are also phases of the moon.

The Fabric Workshop and Museum and Gregory R. Miller & Co.

Mary Reid Kelley & Patrick Kelley