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Exhibition Catalogues

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A thick book standing upright, its pages slightly spreading. The cover features an out-of-focus portrait of a person in blue light with red lipstick. The title at the top reads in serif font, "Suzanne Bocanegra: Poorly Watched Girls."

A book spread showing on the left page an older white woman in a minimally designed long-sleeve white dress smiling at the viewer. She appears lit as if on a stage with her shadow behind her. On the right is an extreme close-up with a soft focus of her smiling face at a three-quarter angle,

MW Editions and The Fabric Workshop and Museum

Suzanne Bocanegra: Poorly Watched Girls

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An image of a book opened to a full bleed abstract drawing taking up both pages.

The Phoenix Art Museum and the Portland Museum of Art

Ahmed Alsoudani: Redacted

A photograph of a book propped upright on top of a pair of laterally stacked copies of the same book. The cover of the book features a cream-colored woven textile with two thin red stripes that stretch from corner to corner. The text on the top-left corner reads, "Sonya Clark: Monumental Cloth, The Flag We Should Know."

Best Seller

A photograph of a book spread with a photo on the left and text on the right. The book image features two creating a white chalk rubbing of a woven texture against a black ground.

MW Editions and The Fabric Workshop and Museum

Sonya Clark: Monumental Cloth, The Flag We Should Know

This is an image of two books, one is laying flat on the ground with an angled view of the cover and spine. The other book is sitting upright on top of the book laying down. On the cover is a simple black and white illustration of a potbelly vase with a geometric floral design. The illustration has the texture of being printed as a woodcut. The title on the spine reads "Elisabeth Kley"

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The image depicts a spread of a book. The book is open to a full-bleed two-page spread of a painterly drawing of bright flowers. There is a yellow background, and the flowers are outlined in blue and filled in with red, white, and orange.

Pre-Echo Press and Canada Gallery

A square, red-orange catalogue cover with a royal-blue checkerboard pattern overlayed. Two hand-drawn butterflies with kissing figures appear on the top-left and bottom-right quadrants, on top of the checkerboard. The top reads "Jonathan Lyndon Chase" and "Big Wash." The bottom reads "2021 Wet Dry, 2021 Clean Soiled" and "The Fabric Workshop and Museum"

Jonathan Lyndon Chase: Big Wash

This is an image of a book cover. On the book cover is a The image is of a red three-panel privacy screen (the left panel is cut out of the image so we only see the center and right panels) with strings of green leaves on the center and right panels and on the center panel, a figure of a woman standing as she is completely covered in blue fabric and the only part of her body you can see is her right thigh, right arm and her right hand is touching her head. We also see gold embroidered text which reads "Of Adam's eye." There is a solid black background and to the right of the privacy screen is white text that reads "Carrie Mae Weems The Fabric Workshop/Museum"

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

The image is of a two-page spread in a book and there is an image in the center. The image is of a red three-panel privacy screen with green leaves and gold embroidered text. This is an artwork by Carrie Mae Weems. The text describes the work and reads: "The Apple of Adam's Eye This work marks a point of departure for Weems in terms of her use of media which she undertook as part of her residency at The Fabric Workshop/Museum. She worked in collaboration with Mary Anne Friel, who executed the artist's design. Initially, the figure appeared in the round (seen frontally on the face of the central panel, and from behind on the reverse); in Cette œuvre marque un point de départ pour Weems en ce qui con- cerne l'utilisation de moyens explorés au cours de sa résidence au Fabric Workshop/ Museum. Elle a travaillé en collaboration avec Mary Anne Friel, qui a réalisé les dessins de l'artiste. Initialement, le personnage apparais- sait en ronde bosse (vu de devant sur la face du panneau central et de derrière au dos); dans cette version finale, le personnage au dos du panneau a été remplacé par un texte. Des versions this final version, the figure on the back has been replaced with text. Earlier versions linked images plus anciennes associaient des images de pommes et de serpent au texte placé sur le devant des pan- of an apple and snake with the text on the front side panels, but these were later discarded in favor of neaux latéraux, mais elles ont été abandonnées au profit d'un feuillage serpentin qui se déroule serpentine foliage that continues around the figure and on the reverse of the side panels. The autour du personnage et au dos des panneaux latéraux. L'image photographique monochromatique monochromatic photographic image became more sensual as it was saturated with a fiery Chinese red- est devenue plus sensuelle lorsqu'elle a été saturée d'une couleur vive rouge-orangé chinoise pour le orange colored background, the veil in royal blue, and the skin in a bronze hue. Underprinting of gold fond, de bleu royal pour le voile, et d'une teinte de bronze pour la peau. Des impressions sous-jacentes leaves, accidentally arrived at, and overpainting the red background with green and gold foliage à la feuille d'or, obtenues par hasard, et la peinture d'un feuillage vert et or sur le fond rouge offrent offered a rich, glowing resolution. The text, at first intended to be printed, was finally embroidered in un contraste riche et brillant. Le texte, qui devait d'abord être imprimé, a finalement été brodé au fil gold silk thread that added to the sumptuousness of the work. Finally, a printed-fabric covered frame de soie dorée, ajoutant au caractère somptueux de l'œuvre. Pour finir, un premier cadre recouvert de was abandoned in favor of an exposed frame of delicately patterned Australian lacewood. tissu imprimé a été remplacé par un cadre en bois de sycomore australien aux motifs délicats."

Carrie Mae Weems

A yellow book cover featuring a long tunic with a very busy hand-drawn pattern featuring orange, brown, and gray nude figures interacting with one another amid large brown leaves and a background of repeat textural marks. The book cover says "Will Stokes" in hand-written cursive.

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FWM Exclusive

FWM Exclusive

FWM Exclusive

A detail of a person holding a yellow book that reads "Will Stokes". The book cover features the outline of a shirt with many hand-drawn figures in gray, brown, and orange.

Will Stokes, Jr. x FWM

Will Stokes Jr.

A photo of a book, "Mary Reid Kelley & Patrick Kelley," featuring a kneeling female character who is holding her belly and tilting back in laughter. She has long hair and bug eyes and is rendered in warm grays with black accents. She is posed on gray floorboards against a green background.

A photo of a model posing with a book and tote. The book has a photo of a woman dressed in black and white with long black hair and she is kneeling on her knees on the floor in front of a green screen. The tote is black and white and has the phases of the moon in a grid. Below the grid, the tote reads "Blood Moon" and the "O's" are also phases of the moon.

The Fabric Workshop and Museum and Gregory R. Miller & Co.

Mary Reid Kelley & Patrick Kelley

This is an image of a book cover. On the book cover is a photo of an artwork. The artwork is a wearable sculpture, has a hood and two long sleeves, all made of houndstooth patterned fabric. Where the hood and sleeves connect to the body, there is a thick red fabric acting as a border between the hood, the sleeves, and the body. The body of the sculpture is a rectangular shape, is light blue, and has a pattern of circles, all the same size. The circles are outlined with white text and read: "Saddle your dreams before you ride'em." There is a slit in the fabric at about knee-length for legs to emerge from the jacket.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

This is an image of a book concealed in a pink, transparent zip-loc plastic bag. On the book cover is a photo of an artwork. The artwork is a wearable sculpture, has a hood and two long sleeves, all made of houndstooth patterned fabric. Where the hood and sleeves connect to the body, there is a thick red fabric acting as a border between the hood, the sleeves, and the body. The body of the sculpture is a rectangular shape, is light blue, and has a pattern of circles, all the same size. The circles are outlined with white text and read: "Saddle your dreams before you ride'em." There is a slit in the fabric at about knee-length for legs to emerge from the jacket. On the plastic cover in the center of the book is a sticker that reads: "Under penalty of law this tag can only be removed by user Comfort Zone Ellen Lupton Visiting Curator The Fabric Workshop and Museum January 25–April 21 2022 1315 Cherry Street Philadelphia PA 19107 PH 215.568.1111 FX 215.568.8211 www.fabricworkshopandmuseum.org Gallery hours: Mon–Fri 9am–6pm Sat Noon–4pm Tours by appt All new material The exhibition program of The Fabric Workshop and Museum is supported by The Pew Charitable Trusts, Pennsylvania Council of the Arts, Institute of Museum and Library Services, National Endowment for the Arts, LLWW Foundation, The Philadelphia Cultural Fund, Independence Foundation, The Claneil Foundation, philip Morris Companies, Miller-Plummer Foundation, The Barra Foundation, and The Board of Directors and Members of The Fabric Workshop and Museum."

A book cover with varying levels of a smoky blue-gray. The foot of a curtain appears on the lower right. Small text at the center reads "habitus" and "ann hamilton"

Prestel and The Fabric Workshop and Museum

Ann Hamilton: habitus

A square book stands upright atop another copy against a gray background. The book cover features a mostly yellow painting of an interior with chandeliers at the right and two blue windows on the left and at the center.

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A photograph of a hand holding a book open. The book spread features a full-bleed photograph of a domestic interior with painterly wallpaper and two tall windows on the right. The carpet features an ornate gray pattern.

Locks Art Publications

An image of a book cover featuring an artist admiring and working on a sculpture in a studio. The artist's name is on the cover of the book in the top left corner and in bold, all-caps, and pink.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

Ana Rosa Rivera Marrero