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Summer Blues

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A rectangular blanket with a dark red border and deep blue center. A mirrored pattern of bright red ribbons make up the top layer of detail.

Artist Edition

Artist Edition

Artist Edition

Artist Edition

Samara Golden x FWM

Storm at Split Rock (limited edition blanket)

An image of the print which appears on the silk scarf—a closeup of water rippling in greys and blues, with bright highlights where the light caught the water when it was photographed.

Artist Edition

Artist Edition

Artist Edition

Artist Edition

A person with short hair, glasses, and earrings wears the scarf wrapped around their shoulders over a mustard sweater. In the background of the image, you can see out of focus trees with fall foliage in greens, reds, and yellows.

Sarah Sze x FWM

Waterside (scarf)

A circular navy blue patch with red lining and white text. The center text reads "MILF" while the text encircling it reads "Mothers in the Labor Force". Gold star shapes and white circular star shapes also appear in the patch.

Artist Edition

Artist Edition

Artist Edition

Artist Edition

Aimee Koran x FWM

An image of the enamel pin against a white background. The pin is in shades of turquoise, hot pink, and orange, and shows a stylized version of the museum's façade.

Best Seller

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

An image showing the front and back of the pin side by side against a white backdrop. To the left, you see the back of the pin which is brass and has a butterfly clasp. To the right, you see the front of the pin being held by fingers coming from out of frame to show the scale.

FWM Facade Enamel Pin

One of the kerchief colorways sits flat against a white background. The scarf is purple, with varying shades of blue and a bright pink border around the designs in the center.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

A young Black woman wearing a scarf tied to the back of her head stands in front of yellow foliage. She is facing away from the viewer. This scarf is primarily black, blue, and bright pink, with a purple border around the inner design and neon green accents.

Jim Drain x FWM

House of Drain (handkerchief)

A set of four square napkins featuring a blue and black checkerboard-style pattern with silhouettes of figures and objects in the recurring black squares.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

A set of four square napkins featuring a red and black checkerboard-style pattern with silhouettes of figures and objects in the recurring black squares.

Harry Anderson x FWM

Harry's Hunt (napkins)

A sky-blue book, taller than it is wide, featuring a square photograph of a beach at its center. The text reads, "William Wegman, Dogs on Rocks."

Two hands hold a book open. Two square photographs lie at the center of each page, creating the effect of a spread. Together, the images feature a large brown dog atop a boulder, looking at the camera with a blue sky behind it.

A.S.A.P.

William Wegman: Dogs on Rocks

A book cover printed in sky blue with texture resembling lichen. Magenta text in all caps at the top-right of the cover reads "Sarah Sze"

A cover of a book featuring a gray scraggly rabbit as a puppet lounging in reference to Ingres' painting "La Grande Odalisque" and holding a clear and green bong.

A book spread featuring two images (one on each page) of installation photos from the exhibition Jayson Musson: His History of Art. On the left is a window curtain referencing Gentileschi's "Judith Slaying Holofernes" in the style of Matisse's "Icarus." On the right is an image of three puppets wearing denim vests and pope hats.

Jayson Musson's His History of Art

A book cover with varying levels of a smoky blue-gray. The foot of a curtain appears on the lower right. Small text at the center reads "habitus" and "ann hamilton"

Prestel and The Fabric Workshop and Museum

Ann Hamilton: habitus

A pillow rests near the corner of a beige couch. The rectangular pillow is made of cream-colored fabric with a minimal weave-like pattern of blue and brown stripes in groups of three.

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Best Seller

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

Two pillows rest inside a low rack beside a couch. The rectangular pillows feature cream-colored fabric with a minimal weave-like pattern of blue and brown stripes in groups of three.

Ann Hamilton x FWM

Untitled (pillow)

An image of a book cover featuring a gray-haired woman in the woods standing in front of a tall, dark, mossy, stump. The stump is taller than the woman.

A one-page preview featuring an image and text. The image at the top of the page is of a roll of white gauze being unrolled from the center on a black background. The text reads: "content often diverge. The telling of the event becomes a scene of projections and of other rich subjective disclosures but also a means for the witnesses to question the nature of their own seeing. Phenomenological detail is clearly consuming and seemingly infinite in these narrations; the flesh of each witness has been enfolded into the performers' entwining. Observation turns granular. A genuine accident within the live performance - the smashing of an opaque glass of water-ricochets through the retellings: within every event there is some other purer event, more vibrant and more real and more urgently told. These micro-events-elevated in perception-seem to suggest that the act of communal swallowing itself was securitized by its occurrence as a privately received ritual. Home sanctions such risks. Rhythm and tempo are recurrent witness' concerns, and the description of the performers' parting seems over too quickly for many. The freight of this separation-for some too much to countenance—is sadness at the withdrawal from a state of interconnectedness and visceral proximity, which has quickly accrued idealization. The affinity between Antoni and Petronio troubles articulation, and cannot be mapped onto familiar dyads of romantic investment or artistic collaboration. In each telling there is always a punctum, a small observed detail that becomes a conduit for a stream of realizations. I ask each witness what they will remember of the act, and here in the very process of the archival capture of that memory lives the most hesitation, doubt and ingenuity of response. In conceiving the act as destined to disappear, the artists have also given it potential, animated its afterlives through a social discourse whose plurality will drive its continued retelling. One late afternoon in the last week of November 2015, Antoni performs Paper Dance for Halprin on the dance deck. It is a year since our last weeklong visit to Kentfield, and over three years since Antoni began to carefully entangle her work with Halprin's. Although she improvises the performance on each occasion, Antoni has accumulated a repertoire of gestural images and sculptural possibilities from her earlier labors with the paper. Physical fragments will be played out, differentiating themselves in the unfolding of the event. Before dusk falls, Hugo Glendinning will shoot the first full video recording of the work, stabilizing it in time in wholly other ways. Since our last visit, Antoni's Paper Dance has grown in length and detail through numerous discussions and re-workings. A flexible dramaturgy is emerging where specific image-events are sequenced in relation to the developing state"

Hirmer Publishers and The Fabric Workshop and Museum

Ally: Janine Antoni, Anna Halprin, Stephen Petronio