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An art-deco inspired illustration of a woman wearing pearls screenprinted on the cover of a book titled "heterodoxy"

A photograph of four paper materials laid out in a grid consisting of a screenprinted portfolio, a colorful risograph of an illustration of a woman paired with a riso printed biography, and a digitally printed booklet. The title of the booklet reads "heterodoxy"

A photograph of scattered papers and a portfolio consisting of screenprinted case, colorful risographs of illustrations of women, and a digitally printed booklet. The title of the booklet reads "heterodoxy"

A photograph of five risograph prints on white paper, fanned out on a white background. The prints consist of single portraits of stylized women illustrated by Jessica Campbell

A photograph of an open spread of a book. On the left page, there are two scans of the same book, one of an open spread with text and the other is the cover of the book. Below the scans there is a written excerpt and a photograph of a detail shot of the installation. On the right side there is a full-bleed photograph of a wall-hanging textile artwork installed in a gallery with text overlayed featuring opening credits and acknowledgements.

A photograph of an open spread of a book. On the left, there is a black and white portrait photograph of Heterodoxy member Amy Mali Hicks. Below the photograph is a triptych of photographs moving from inspiration, to concept sketch, to final rug tufted artwork. On the right is a full-bleed photograph of a gallery installation view featuring two long wooden tables with inset vitrines surrounded by wooden chairs.

A photograph of an open spread of a book. On the left is a full-bleed black and white photograph of two women sitting at a table from 1900. On the right is an introduction page with the headline, "Jessica Campbell: Heterodoxy"

Artist Edition

Jessica Campbell x FWM

Heterodoxy

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Description

Explore the hidden history of a secret twentieth-century feminist debate club. This limited edition publication follows artist Jessica Campbell's research and solo exhibition, Heterodoxy, with photography of the gallery installation and archival imagery related to the club’s history.

Enclosed in a hand-printed silkscreened case fabricated in the FWM Studio, the portfolio features twenty Risograph-printed portraits by Campbell and a booklet that explores her research and artistic response.

First produced as gouache collages for the exhibition, Campbell’s set of Risograph portraits of Heterodoxy members, who playfully called themselves Heterodites, includes founder Marie Jenney Howe, Harlem Renaissance activist Grace Nail Johnson, political cartoonist Lou Rogers, and physician Sara Josephine Baker, among others. On the verso of each portrait, Campbell includes brief biographical narratives about each historical figure.

Hand-printed silkscreened portfolio
Softcover, 30 pages digitally printed by Sure Print & Design
20 Risograph-printed portraits illustrated by Jessica Campbell and printed by Colour Code Printing
Handprinted bookplate numbered and signed by the artist
Produced in a limited edition of 300 portfolios

This publication includes an introduction by curator DJ Hellerman and features the short story, The Yellow Wallpaper, by Heterodoxy member Charlotte Perkins Gilman (1860–1935).

Meet the Artist

A portrait of a white woman with curly brown hair. She is wearing a sleeveless yellow blouse with vertical black patterned markings. She is standing in a dimly lit room with green and red artworks in the background and a set of tables and chairs.

Jessica Campbell

Jessica Campbell is a visual artist and cartoonist whose satirical textiles, drawings, and comics reveal both current and historical misogyny. Her FWM residency led to the exhibition and archive, Heterodoxy, based on a secret feminist debate club that operated in New York from 1912 to 1940.

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About The Exhibition

Jessica Campbell: Heterodoxy

Jessica Campbell's exhibition, lecture and discussion series explores the complex personal, political and professional relationships facilitated by the twentieth century secret feminist debate club named Heterodoxy. Produced in collaboration with the FWM Studio, this presentation takes the form of a gathering space—an interpretation of Polly's Restaurant in Greenwich Village, NY, an early meeting place of the group—with artworks relating to the club and its members, outfitted in an immersive tufted rug environment.

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