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End of Summer Sale

The End of Summer Sale is here! Shop up to 50% off on Artist Editions, Art + Decor, Tableware, Bags, Books, Gifts, Yardage, FWM Exclusives, and more!

Ends September 7 at 11:59 PM ET

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An image of a square pillow against a grey background. The pillow is a screenprinted design by Betty Woodman. The background of the design is black, with colorful pastel, loosely drawn, soft abstract shapes mimicking ceramic platters.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

A square pillow leans against a beige couch. The pillow is a screenprinted design by Betty Woodman. The background of the design is black, with cool and warm pastel colors, and loosely drawn, soft abstract shapes mimicking ceramic platters.

Betty Woodman x FWM

Platters (pillow, 27 x 27 inches)

A square pillow made of fabric yardage consisting of brown and yellow floral motifs.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

Jessica Campbell x FWM

Hicks Flowers (pillow, 26 x 26 inches)

A long cylindrical pillow featuring a speckled black and white design like the kind found on a student's composition notebook.

Sold Out

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

Robert Venturi and Denise Scott Brown x FWM

Notebook (bolster)

A photograph of a screenprinted yardage design featuring loosely drawn organic floral shapes, including flower petals, ferns, and seed pods. The motifs all flow together as if drawn from a single line. Most of the shapes appear in a feint yellow and are outlined in brown. The seed-pod like shapes are filled in with brown. The negative space is a feint peach color.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

Jessica Campbell x FWM

Hicks Flowers (yardage)

A golden-beige background with white silhouettes in the shape of ginkgo leaves (fan-like wedges with long, thin stems). The leaves are uniquely drawn with slight variations including stem length, leaf breadth, and direction.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

A gray, slightly green background with a seven white silhouettes in the shape of ginkgo leaves (fan-like wedges with long, thin stems). The leaves are uniquely drawn with slight variations including stem length, leaf breadth, and direction.

Diane Itter x FWM

Ginkgo (yardage)

A stuffed plush gray rabbit sits upright against a plaid collector's box. The rabbit has round blue eyes, an oblong peach nose and long green shapes on the interior of its ears. The brown plaid box reads "Ollie" and "Jayson Musson's His History of Art" and has a circular viewing window that reveals another rabbit puppet inside.

Artist Edition

Artist Edition

Artist Edition

Artist Edition

A gray plush stuffed rabbit sits upright. It has round blue eyes, an oblong peach noes, and long green shapes on the interior of its ears.

Jayson Musson x FWM

A photo of an adorable Black child, around two years old, looking at someone slightly off-camera. She is wearing a white t-shirt with three characters: the letter I, the heart symbol, and a silhouette of the mythical creature, Bigfoot.

Cameron Gainer x FWM

I <3 Bigfoot (t-shirt)

An image of a thin, rectangular book, more tall than it is wide. The cover of the book depicts a variety of colorful fabrics in various patterns.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

An image of a thin, rectangular book, more tall than it is wide. The book is open to show two artworks made of colorful, patterned fabrics.

A Decade Of Pattern: Prints, Patterns and Prototypes

A book that is taller than it is wide stands upright against a gray background. The book features a weaving in tan, blues, and dark greens. The title reads, "Soil and Sky."

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

Mel Chin: Soil and Sky

A thin paperback book, wider than it is tall, stands upright atop two other copies. Mostly yellow with some areas of white tan and black, the book features an abstract painting consisting of many repeated brushstrokes in red, purple, and tan. At its center is the title of the book in gold type on a black rectangle : Robert Kushner, The Fabric Workshop and Museum.

Robert Kushner: Celestial Banquet

A photograph of a large paperback book. The black and white book cover features out-of-focus photos of many boxers in various poses.

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

A photograph of an open paperback book spread. On the left is text featuring an interview. On the right is a large black and white photograph of five black and white punching bags hanging at various heights and distance within a gallery setting. There is one black punching bag sitting upright, but slumped against the right-side gallery wall.

Glenn Ligon and Gary Simmons

This is an image of a book cover. On the book cover is a The image is of a red three-panel privacy screen (the left panel is cut out of the image so we only see the center and right panels) with strings of green leaves on the center and right panels and on the center panel, a figure of a woman standing as she is completely covered in blue fabric and the only part of her body you can see is her right thigh, right arm and her right hand is touching her head. We also see gold embroidered text which reads "Of Adam's eye." There is a solid black background and to the right of the privacy screen is white text that reads "Carrie Mae Weems The Fabric Workshop/Museum"

FWM Exclusive

FWM Exclusive

FWM Exclusive

FWM Exclusive

The image is of a two-page spread in a book and there is an image in the center. The image is of a red three-panel privacy screen with green leaves and gold embroidered text. This is an artwork by Carrie Mae Weems. The text describes the work and reads: "The Apple of Adam's Eye This work marks a point of departure for Weems in terms of her use of media which she undertook as part of her residency at The Fabric Workshop/Museum. She worked in collaboration with Mary Anne Friel, who executed the artist's design. Initially, the figure appeared in the round (seen frontally on the face of the central panel, and from behind on the reverse); in Cette œuvre marque un point de départ pour Weems en ce qui con- cerne l'utilisation de moyens explorés au cours de sa résidence au Fabric Workshop/ Museum. Elle a travaillé en collaboration avec Mary Anne Friel, qui a réalisé les dessins de l'artiste. Initialement, le personnage apparais- sait en ronde bosse (vu de devant sur la face du panneau central et de derrière au dos); dans cette version finale, le personnage au dos du panneau a été remplacé par un texte. Des versions this final version, the figure on the back has been replaced with text. Earlier versions linked images plus anciennes associaient des images de pommes et de serpent au texte placé sur le devant des pan- of an apple and snake with the text on the front side panels, but these were later discarded in favor of neaux latéraux, mais elles ont été abandonnées au profit d'un feuillage serpentin qui se déroule serpentine foliage that continues around the figure and on the reverse of the side panels. The autour du personnage et au dos des panneaux latéraux. L'image photographique monochromatique monochromatic photographic image became more sensual as it was saturated with a fiery Chinese red- est devenue plus sensuelle lorsqu'elle a été saturée d'une couleur vive rouge-orangé chinoise pour le orange colored background, the veil in royal blue, and the skin in a bronze hue. Underprinting of gold fond, de bleu royal pour le voile, et d'une teinte de bronze pour la peau. Des impressions sous-jacentes leaves, accidentally arrived at, and overpainting the red background with green and gold foliage à la feuille d'or, obtenues par hasard, et la peinture d'un feuillage vert et or sur le fond rouge offrent offered a rich, glowing resolution. The text, at first intended to be printed, was finally embroidered in un contraste riche et brillant. Le texte, qui devait d'abord être imprimé, a finalement été brodé au fil gold silk thread that added to the sumptuousness of the work. Finally, a printed-fabric covered frame de soie dorée, ajoutant au caractère somptueux de l'œuvre. Pour finir, un premier cadre recouvert de was abandoned in favor of an exposed frame of delicately patterned Australian lacewood. tissu imprimé a été remplacé par un cadre en bois de sycomore australien aux motifs délicats."

Carrie Mae Weems